In the years when antique televisions were prevalent in our grandmothers’ homes, changing settings such as color and brightness on the television was something we never worried about. When tube televisions started not showing well, they would slap the television and continue watching until it got better.
Now, on new televisions, we get lost just as we enter the settings menu. In this context, it can be difficult to watch something on the purchased television without thinking and to enjoy it without making adjustments, especially if the standard picture setting of the purchased television is not good.
Playing with the settings unconsciously can undermine the viewing pleasure.
In addition to settings such as brightness, contrast, color saturation, there are settings such as sharpness and motion smoothing that most people do not care about. These are such sensitive adjustments that with the slightest change, the image you watch can have a completely different color or fluidity.
This may cause some directors to revolt by saying, “The film I shot should not have looked like this.” Changing color palettes that run parallel to the story of the film is something directors would never want.
Things that directly affect viewing pleasure, such as the increase in the number of frames per second with the support of artificial intelligence, can sometimes deteriorate the image because they present an artificial image. For all these situations, the directors offered a solution.
“Filmmaker Mode”, available on some TVs, adjusts the film according to the director’s wishes.
This mode, which all directors want to become widespread, regulates the colors by deciding for us how to watch movies. Each director makes special adjustments for his own movie, and when you open the movie, the TV settings are adjusted according to the director’s wishes.
Although it is not widely used, a change.org campaign was even started years ago to make it widespread, but it did not yield much results.
Directors like Christopher Nolan can insist on having their films watched the way they want. The Oppenheimer movie is the biggest example of this.
Even though there are no big action scenes, he strongly recommended watching these movies on giant IMAX screens and stated that these movies are a shame on TV screens at home.
Although most people prefer to watch it in IMAX, there are also a lot of people who do not go to the cinema but wait to watch it at home in front of the television.
“Picture mode” options can sometimes be a savior for your viewing pleasure.
Although the directors said what they wanted, the producers did not popularize this. Many standard home users do not like or cannot deal with fine settings. Knowing this, manufacturers provide screens that are somewhat customizable according to the content you watch, with picture mode options that allow easy adjustment.
For example, when “game mode” is turned on, you can automatically set the motion smoothing setting to very high and provide a smoother gaming experience. When you watch a movie, the “cinema mode” can be activated to make the image more cinematic.
Choosing a random mode without fine tuning deteriorates the image quality.
Let’s say you are going to watch a sports match, but you have selected cinema mode instead of sports mode in the settings. When you choose the sport, the green colors are highlighted and the field is shown clearly, and the fluidity is adjusted so that you can see the fast-moving ball and players better.
However, when you choose cinema, the image will be darker and colors that are not suitable for sports will be used, which will cause you to see the match you are watching worse.
So, what settings do you use to watch on TV? Do you think the picture mode options are successful?
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