Ingrid Bergman’s Top 10 Films

Bergman, who was born in 1915 to a German mother and a Swedish photographer and artist father, went to his uncle’s death at an early age and started his acting career at the age of 17 after completing his education.

to his career; We have compiled 10 of Bergman’s legendary films, which still fit many films that we still talk about with admiration, such as Casablanca and Gaslight.

Legendary films of Ingrid Bergman:

• Casablanca (1942)
• Gaslight (1944)
• The Bells of St. Mary’s (1945)
• Spellbound (1945)
• Notorious (1946)
• Stromboli (1950)
• Journey to Italy (1954)
• Anastasia (1956)
• Indiscreet (1958)
• Autumn Sonata (1978)

A cult movie: Casablanca (1942)

• Genre: Drama, Romance, War
• Cast: Humphrey Bogart, Ingrid Bergman, Paul Henreid
• Director: Michael Curtiz
• IMDb: 8. 5

Casablanca, a near-perfect synthesis of wit, sarcasm and romance; It remains an incredible example of Hollywood’s lull. Casablanca has a cult place in the world of cinema as an unforgettable romance classic.

During World War II, the Moroccan city of Casablanca had a very colorful crowd with the Europeans fleeing from Hitler. Rick Blaine runs the most popular bar in the city, and one day his old love, Ilsa, comes to the bar with Victor Laszlo, one of the leaders of the resistance. Rick is the only person who can help Ilsa and Victor escape from the city.

A gothic melodrama: Gaslight (1944)

• Genre: Crime, Drama, Mystery
• Cast: Charles Boyer, Ingrid Bergman, Joseph Cotten
• Director: George Cukor
• IMDb: 7. 8

George Cukor’s psychological thriller set in Victorian London stars Bergman as the unaware new wife of a cunning, manipulative killer (Charles Boyer) who begins to convince him she’s crazy. Torn between her love for her husband and growing fear, Bergman avoids playing the cowardly victim, instead adopting an understated, tense demeanor. Her slow fall into hysteria earned her her first of the best actress Oscars. In the final sequence, where he refuses to help a tied up Boyer, his obsessive insanity is almost fundamental to his vindictive glee. Gaslight is a production with a very strong cast and elements of film noir.

A respite in Bergman’s career: The Bells of St. Mary’s (1945)

• Genre: Drama
• Cast: Bing Crosby, Ingrid Bergman, Henry Travers
• Director: Leo McCarey
• IMDb: 7. 3

An upbeat comedy starring Bing Crosby as a clumsy parish priest trying to reform an inner-city Catholic school, while Bergman takes on the role of a headstrong young nun. For Ingrid Bergman, who often appears in serious roles and films, this film feels like a respite from her career.

Presence of Salvador Dali in dreams: Spellbound (1945)

• Genre: Film-Noir, Mystery, Romance
• Cast: Ingrid Bergman, Gregory Peck, Michael Chekhov
• Director: Alfred Hitchcock
• IMDb: 7. 5

Spellbound deserves any credit for Bergman’s film career, even just for the Salvador Dali dream sequence. It will also be the first of three films he has made with Hitchcock as a psychoanalyst. He tries to solve a murder to protect Gregory Peck, whom he sees as an object of desire and knows he is suffering. Spellbound has a lot to do with Freud’s style and floats on the repressed memories at the center of the narrative and the appeal of the two lead characters.

A complex portrait of the love triangle: Notorious (1946)

• Genre: Drama, Film-Noir, Romance
• Cast: Cary Grant, Ingrid Bergman, Claude Rains
• Director: Alfred Hitchcock
• IMDb: 8.0

Hitchcock envisioned a ‘Mata Hari’ type of person for the lead in this romantic espionage thriller, and Bergman played Alice Huberman, the depraved and criminal daughter of a German spy. American agent Devlin (Cary Grant) uses his guilt to his advantage and sends his undercover mission to Rio to foil a Nazi plan. The government uses Alicia’s frailties to seduce an old acquaintance, aristocrat Claude Rains, for his secret schemes. Dealing with the complex portrayal of the psychological underpinnings of a love triangle with the sexual attraction between Grant and Bergman, the film is one of Hitchcock’s most romantic films.

The product of Rossellini and Bergman’s first licentious correspondence: Stromboli (1950)

• Genre: Drama
• Stars: Ingrid Bergman, Mario Vitale, Renzo Cesana
• Director: Roberto Rossellini
• IMDb: 7. 3

The product of Bergman and Rossellini’s first flirtatious correspondence, Stromboli was the first film to bring the duo together artistically and from different angles. Bergman plays a woman named Karin who is desperate to escape her circumstances. Karin marries an Italian fisherman (Mario Vitale) and moves with him to a remote island of Stromboli. The couple experience an isolated and hopeless spiritual crisis as they live to be the target of the village’s bigotry.

Uncanny misfortunes: Journey to Italy (1954)

• Genre: Drama, Romance
• Stars: Ingrid Bergman, George Sanders
• Director: Roberto Rossellini
• IMDb: 7. 4

Journey to Italy takes place in a resort town known as the Neapolitan Riviera, the enigmatic story of a marriage that dissolves. This town is such a beautiful place that one wonders how even the most arrogant bourgeois couple could be unhappy there. Katherina (Bergman) and Alex (Sanders), a British holiday couple on the Riviera, are a couple experiencing this unhappiness. Something in the Italians’ mood magnifies their unhappiness, and they realize that their eight-year marriage is no longer alive. Throughout the film, they visit places such as art museums and nightclubs, which they created with this awareness. It is a production that can be watched with curiosity by going deep into the relations of the duo.

The struggle to find the truth: Anastasia (1956)

• Genre: Biography, Drama, History
• Stars: Ingrid Bergman, Yul Brynner, Helen Hayes
• Director: Anatole Litvak
• IMDb: 7. 1

Exiled Russian exiles in Paris, whose aim is the education of a suicidal young girl who claims to be of Russian tsarist family, are saving ten million pounds in a British bank. The young girl claims to be the Tsar’s daughter, Anastasia, who was executed with her family. All the exiles in Paris also believe that she is the real Anastasia. Finally, the Empress decides whether she is the real Anastasia.

The magnificent relationship of a woman who is fond of love: Indiscreet (1958)

• Genre: Comedy, Romance
• Cast: Cary Grant, Ingrid Bergman, Cecil Parker
• Director: Stanley Donen
• IMDb: 6.8

Director Donen is producing Indiscreet for the couple Cary Grant and Ingrid Bergman, whose harmony is obvious from the verb Notorious. It casts Bergman as an amorous woman and Grant as the married man she falls in love with. Lanvin, Dior, and Balmain gowns designed for Bergman add to the glamor in the movie. Grant tries to show Bergman’s character that he is in a fake marriage. Indiscreet, which is a very glorious movie with the chemistry of the couple, is a movie with a catchy line: “He dares to make love to me and still be a married man!”

The needs of the human soul: Autumn Sonata (1978)

• Genre: Drama, Music
• Cast: Ingrid Bergman, Liv Ullmann, Lena Nyman
• Director: Ingmar Bergman
• IMDb: 8.2

Charlotte, a world-famous concert pianist, goes to visit her daughter Eva, whom she neglected for years, after the death of her life partner. Unlike her flamboyant mother, Eva leads a modest life, married to a priest.
Charlotte is surprised to see her mentally handicapped daughter Helena, whom she had previously placed in a clinic, at Eva’s house. In time, the tension between Eva and Charlotte will escalate, and in a sleepless night, everything that mother and daughter wanted to say to each other will be revealed one by one.

The world-renowned director of Swedish cinema, Ingmar Bergman, describes the emotions of the human spirit such as expectation, hope, disappointment and love with poetic fluency and sensitivity.